Thursday, January 23, 2020
Big Bang Theory :: Big Bang Theory Science Religion Creation Essays
Big Bang Theory Fifteen billion years ago, give or take five billion years, the entirety of our universe was compressed into the confines of an atomic nucleus. Known as a singularity, this is the moment before creation when space and time did not exist. According to the prevailing cosmological models that explain our universe, an ineffable explosion, trillions of degrees in temperature on any measurement scale, that was infinitely dense, created not on fundamental subatomic particles and thus matter and energy but space and time itself. Cosmology theorists combined with the observations of their astronomy colleagues have been able to reconstruct the primordial chronology of events known as the big bang. Quantum theory suggests that moments after the explosion at 10 -20 second, the four forces of nature; strong nuclear, weak nuclear, electromagnetic and gravity were combined as a single "super force" (Wald). Elementary particles known as quarks begin to bond in trios, forming photons, positrons and neutrinos and were created along with their antiparticles. There are minuscule amounts of protons and neutrons at this stage; approximately 1 for every one billion photons, neutrinos or electrons (Maffei). The density of the Universe in its first moment of life is thought to have been 1094g/cm3 with the majority of this being radiation. For each billion pairs of these heavy particles (hardens) that were created, one was spared annihilation due to particle-antiparticle collisions. The remaining particles constitute the majority of our universe today (Novikov). During this creation and annihilation of particles the universe was undergoing a rate of expansion many times the speed of light. Known as the inflationary epoch, the universe in less than one thousandth of a second doubled in size at least one hundred times, from an atomic nucleus to 1035 meters in width. An isotropic inflation of our Universe ends at 10-35 second that was almost perfectly smooth. If it were not for a slight fluctuation in the density distribution of matter, theorists contend, galaxies would have been unable to form (Parker). The universe at this point was ionized plasma where matter and radiation were inseparable. Additionally there were equal amounts of particles and antiparticles. The ratio of neutrons and protons albeit small is equal. When the universe aged to one hundredth of a second old neutrons begin to decay on a massive scale. This allows for free electrons and protons to combine with other particles. Eventually the remaining neutrons combine with protons to form heavy hydrogen (deuterium).
Wednesday, January 15, 2020
In Discipline and Punish, Michel Foucault analyzes the emergence of disciplinary practices
In Discipline & Punish, Michel Foucault analyzes the emergence of disciplinary practices, as they are understood in modern schools, militaries, and prisons. Foucault understands the manifestations of modern disciplines in terms of a power-knowledge relationship. In Discipline & Punish he makes a change in his method of thinking about power-knowledge relations in using a genealogical method. The basic premise of the genealogical approach is that shifts of power in society alter the way knowledge is formed in society. Foucault's specific focus in the genealogical framework will be on the interrelation of non-discursive practices (control of bodies) and discursive practices (bodies of knowledge). In focusing on bodies of knowledge and the controlling of bodies Foucault shows how the greatest difference in the Modern Age of disciplines and the Classical Age is that Modern society is engulfed in disciplinary practices. Foucault believes that there is a misunderstanding by scholars when studying the history of discipline and punishment in the West. The misunderstanding is thinking that there is a progress in the way we treat criminals, or deviants, in compared with the forms of punishment used in the Classical Age. In order to view this misunderstanding Foucault begins Discipline & Punish with a horrific example of public torture that was commonplace treatment of a criminal in the Classical Age, which immediately provokes the reader to feel that the Modern Age has accomplished definite ââ¬Ëprogress'. However, Foucault claims that ââ¬Ëprogress' from a humanist perspective in relation to Modern discipline and punishment would not be accurate but, ââ¬Ëprogress' in being able to perform punishment with the same intensity of the Classical Age and not get the negative reaction that people had towards the public torture is a more accurate picture. Foucault claims that Modern societies aim has been ââ¬Å"not to punish less, but to punish better. â⬠The best model of ââ¬Å"punishing betterâ⬠has taken place in the Modern Prison. In the Prison the Modern Age changed its aims in punishing the criminal and these aims have carried over into the many disciplines of society. Foucault defines some of those differences in Modern discipline practices that culminate in the prison, but are unlimited in their reach upon society. The first difference is the object of control is no longer focused on the mind, but is more concerned with the body. An example of this is the vast apparatus of the Modern Prison that maintains a cell for each inmate to be placed. The Modern Prison is obsessed with the location of the body, rather than the earlier disciplinary techniques in which the foremost concern was one's ideas. This modern obsession with controlling the body in the Modern Prison is also present in the military apparatus. For example, the barracks or bases are developed to locate the troops in a specific location and keep them from mixing with the outside population. The earlier days when one was called from his house to go out to battle is eradicated by making soldiers subject to a specific location. The second area of development in Modern disciplinary practices is the control of details of specific bodily movements. The control of details of specific bodily movements is most clearly exemplified in the example of the Panopticon that Foucault gives in Discipline & Punish. One of the main characteristics of the Panopticon was to be able to constantly supervise the movements of each prisoner. The goal was to supervise the prisoner, while not allowing the prisoner to see the supervisor. This resulted in the prisoner constantly being aware of each little movement he made because there was always the possibility of being watched. The spread of the form of control of detail into other disciplinary institutions is easily seen in the school when teachers become concerned with the way in which they're students write or their posture in the classroom. The schoolmaster is no longer as concerned with the fact that the student can read and write, as he is with the way in which the pupils perform their task. The third object of focus by modern disciplines that Foucault suggests is new in the Modern Age is the concern with the process of production rather than just the product itself. The goal in the third mechanism is to exercise control over the complete production of an act instead of just the result of the act. The Modern Prison exemplifies this when it keeps a record of the prisoner's movements or affect. The fact that the prisoner does not break the rules is secondary too the way he goes about not breaking the rules. The control of processes is easily seen in the Modern economy. The Modern wage laborer is prescribed a code of ethics, timetable, and a contract. All of the later are mechanisms that concern the production of the product rather than the product itself. It does not matter if one is able to produce a product if does not fit within the proscribed process. The result of the control of the body, the details of bodily movements, and the process of production is ââ¬Å"the docile body. â⬠In order to achieve the function of rendering ââ¬Å"the docile bodyâ⬠the Modern Age has developed distinctive mechanisms. The first of the mechanism's that Foucault mentions that are put in place to achieve a ââ¬Å"docile bodyâ⬠is the Hierarchal Observations. Foucault locates the model of this method in the Bentham's ââ¬ËPanopticon. ââ¬Ë The ââ¬ËPanopticon' has a tower to be located in the middle of transparent cells, which form around the tower itself. The supervisor is to be able to see any prisoner at any time without the prisoner being aware that they are being watched. Foucault claims this gives the body a specific space of ââ¬Ësubjection' and makes the prisoner constantly aware of there position. The ââ¬ËPanopticon' represents a change from the Classical Age of placing prisoners in dark dungeons and makes use of the light of a constant gaze. The hospital is an example of how the mechanism of the Hierarchal Observation spreads from the prison model into other social spaces. Foucault talks about the care that went into the new architecture of the hospital that allowed for the patients to be easily viewed, it separated them from other patients, and had a separate ventilation system that was organized for each patient to avoid the spread of germs. The hospital was no longer the overseer of death, but a whole apparatus of ââ¬Ëtherapeutic' mechanisms. In both the Modern Prison and the hospital, the body and its movements became the target rather than the mind. The mechanism of Hierarchal Observation lays the grounding for Normalizing Judgment, which is another distinctive mechanism of the Modern Age. The mechanism of Normalizing Judgment is to be able to focus in on the errors of a given behavior in order to reform the behavior. The process of Normalizing Judgment allows for codes to be established that can be placed next to the Law and Tradition. The emergence of Normalizing Judgment could be seen in the Modern Prison when the prisoners are subjected to a rigid schedule of prayer, exercise, and education. The prisoner was to stay within the ââ¬Ënorms' or be judged. The Classical Age was concerned with revenge of the victim, whereas the Modern Age is concerned specifically with the criminal as a deviant or abnormal person. Foucault recognizes the spread of Normalizing Judgment in the rise of the standardized education. Examples of standardized education would be medical schools or law schools. These schools established the general norms of health and law. Thus, if someone deviates from ââ¬Å"the normâ⬠they subject themselves to space where it is appropriate for one to visit the psychologist to get help and on to the many other possible reformist mechanism. The mechanism of Normalizing Judgment enables the framework for the third mechanism, the Examination, to be developed. The Examination is a type of combination of the latter two mechanisms into what Foucault calls ââ¬Å"the normalizing gaze. â⬠This can be seen in the prison as when the prisoner is aware of being visible and ââ¬Å"the normsâ⬠simultaneously. It is as if one knows how they ââ¬Ëshould' act and that they will be constantly held accountable through observation. The school examination is a further elaboration of this technique used in the prison. The student is constantly checked to make sure they are in order with ââ¬Å"the normâ⬠by a written or oral examination. The function of the school examination provides the exact same function of the prison examination, but in a new social space. The mechanisms of the Hierarchal Observation, Normalizing Judgment, and Examination ensure that ââ¬Å"the docile bodyâ⬠is achieved. The mechanisms of docility are present throughout the entire stratum of society. Although the Modern disciplinary practices developed in the isolated space of the prison they have spread throughout society into schools, hospitals, factories, courts, and various other spaces. These disciplinary practiced do not just locate the normal form of behavior, but also act as a positive force of knowledge. The mechanisms achieve ââ¬Å"the docile bodyâ⬠that allow for the coding of the individual of any given knowledge. A clue to just how vast disciplinary practices are in the Modern Age is the disappearance of ââ¬Å"the outlaw,â⬠which is now taken up with ââ¬Å"the deviant. â⬠There is no way to get ââ¬Ëout'side the law, but one remains in a deviant form that is located within the disciplinary space. There is no escaping the mechanisms of power throughout society, as mechanisms of power-knowledge will continue to flourish in many different transformations. However, by not mistaking these transformations as necessary for ââ¬Ëprogress' and getting the mechanism to operate in your favor, one can achieve real progress.
Tuesday, January 7, 2020
William Shakespeare s The Tempest - 949 Words
Although King Alonso and Antonio unfairly banish Prospero from Milan, he still wrongfully overtakes the island he discovers and the few inhabitants on it. Not only does Prospero take control over Caliban, he also becomes Arielââ¬â¢s master after saving him from his entrapment, but unlike the favored Ariel, Prospero treats Caliban horribly like a slave rather than a humble servant. Later in the play as Stephano encounters Caliban, he too takes advantage of him because of his gullibility and his fascination with liquor. Overall, Prospero along with Stephano, play the role of usurping European colonizers who make both Caliban and Ariel their deprived colonial subjects in William Shakespeareââ¬â¢s The Tempest. Prospero represents one of the invading settlers in this play by his unjust and domineering actions towards Caliban and Ariel. Shortly after his arrival, he frees Ariel and teaches Caliban his language and various features of the island, almost as if he takes him in as his ow n. At one point they existed as equals, and Caliban claims that ââ¬Å"[he] loved [Prospero], and showââ¬â¢d [him] all the qualities oââ¬â¢ thââ¬â¢ isleâ⬠(1.2. 460-461). Before Prospero arrived, Caliban ruled only over himself, but was later shaped similarly to a European like his master. They could have potentially coexisted as friends but as time passes, Prospero has second thoughts and enslaves Caliban after he violates his daughter. Caliban is not accustomed to the ethics of Europeans; he simply just wants to populateShow MoreRelatedWilliam Shakespeare s The Tempest1267 Words à |à 6 Pagesaudience. During the Enlightenment Era, William Shakespeareââ¬â¢s writing were a form of social commentary on the English Government. Endorsed by the king, Shakespeareââ¬â¢s works told tales of tragedy and whimsy, incorporating both fiction and nonfiction elements. One trademark of Shakespeare s plays were the subtle allusions to the concurrent events in the English gov ernment. This is evident in his well known and final play, The Tempest. The story of The Tempest tells the tale of Prospero, a fallen dukeRead MoreWilliam Shakespeare s Tragicomedy The Tempest1935 Words à |à 8 Pagesstand alone, frequently including elements from other influences. William Shakespeareââ¬â¢s tragicomedy The Tempest (c:1611) is a play that uses intertextuality to enhance ideas about natural order. Banished to an island, Prospero, the rightful Duke of Milan, conjures up a tempest that brings him his usurping brother, Antonio in an attempt to restore his Dukedom. The playââ¬â¢s amalgamation of tragicomedy and the pastoral genre allows Shakespeare to warn his audience about unbalance, criticising the lavish lifestyleRead MoreWilliam Shakespeare s The Tempest1256 Words à |à 6 PagesWilliam Shakespareââ¬â¢s The Tempest introduces a dynamic and colorful protagonist, Prospero. Throughout the play, he establishes himself as a multi dimensional character. Prospe roââ¬â¢s interaction with other characters in the play is vital in uncovering the many different sides of his personality. Prospero displays a different part of his personality when he interacts with Caliban, Ariel, and Ferdinand, all of whom are ploys in his master plan to regain his crown. Prospero assimilates his personality toRead MoreWilliam Shakespeare s The Tempest1229 Words à |à 5 Pages William Shakespeare most definitely did not reference Jeffrey Jerome Cohenââ¬â¢s Seven Monster Theses when writing his play, The Tempest. One of Cohenââ¬â¢s theses though - thesis four ââ¬Å"The Monster Dwells at the Gates of Differenceâ⬠- appears quite prominently in Shakespeareââ¬â¢s work. The thesis articulates that monsters are divisive and often arise in a culture to make one group seem superior to another. 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Caliban states, ââ¬Å"This islandââ¬â¢s mine by Sycorax my mother, (1.2.331), which means that he has inherited this island from his mother. However, critic Stephen Orgel has argued that ââ¬Å"Power, as Prospero presents it in the play, is not inherited but self-createdRead MoreWilliam Shakespeare s The Tempest947 Words à |à 4 PagesIn Shakespeareââ¬â¢s The Tempest, Caliban is the primitive monster who belongs to the bottom of the power hierarchy on the island claimed by Prospero. Caliban, the original inhabitant of the island, unwillingly becomes Prosperoââ¬â¢s slave as he uses magic to take control of the island. Prospero sees Caliban as the savage and monster who does not acknowledge the order of civilization despite his efforts to educate him. Caliban appears as an inferior and beast-like figure from nature in the eyes of the civilizedRead MoreWilliam Shakespeare s The Tempest Essay987 Words à |à 4 Pagesââ¬Å"The rarer action is in virtue than in vengeanceâ⬠(5.1.35-36). This quote from scene five of the Tempest gives the reader a glimpse of Shakespeareââ¬â¢s message regarding humanity. To be human means more than to have two feet, breathe in your lungs, and the ability to communicate. To be human is a choice. Being human means showing compassion and love for those around you. In the play the Tempest, Prospero struggles with his humanity. He possesses inhuman abilities that cause him to lose sight of theRead MoreWilliam Shakespeare s The Tempest1499 Words à |à 6 PagesShakespeareââ¬â¢s play ââ¬Å"The Tempestâ⬠outlines many complex characters. One of which was Prospero, former Duke of Milan and powerful sorcerer. Prospero initially portrays a self-involved personality and God-complex but then throughout the course of the play this personality trait transpires into a more pragmatic approach to his life. All of these traits of this character makes it difficult to analyze the true character of Prospero. In the first Act of the play, we see Prospero using sorcery to drum upRead MoreWilliam Shakespeare s The Tempest1469 Words à |à 6 PagesThe Tempest brings out the discussion of rule, in this play the theme of rule is prominent, especially in the beginning of the play where the conversation between Prospero and Miranda (his daughter) lead the actions of Prospero, this paper will be analysing the hierarchy of the characters, the definition of justice for Prospero and whoââ¬â¢s the king of Milan. Prospero has magical powers which is seen later in the play, the play starts off by the telling the story of the current king and his crew on
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